Gina (Sally Phillips) is a center supervisor in an organization referred to as “Lifeline Liquidation” (an apt metaphor for what’s about to occur). She and her husband are mainly platonic roommates. She goes for long-distance ocean swims on the common with a gaggle of pals. For Gina’s birthday, these ladies purchase her a stripper named Tom (Alexander England), who reveals up at her door and begins the bump-and-grind. She’s not . The truth is, she’s horrified, however she would love him to wash her front room along with his shirt off. Would that be all proper? Seems, it’s. One thing sparks in her, an concept of delight, an concept of asking for what you need in a judgment-free zone. Apart from his aspect hustle as a stripper, Tom works for a transferring firm (referred to as “Happy to Transfer You,” one other metaphor). When Gina is let go from her job for no purpose apart from ageism, she decides to purchase Tom’s transferring firm (about to be “liquidated” by her former firm), and rework it into a brand new enterprise the place the employees are males and so they clear homes and likewise present intercourse.
The coincidences essential to preserve the premise afloat (what are the percentages that the random stripper additionally works for the corporate she was assigned to liquidate, and and so on.) strains perception, however as soon as the story settles in and the corporate is up and working, comedy and profundity ensue. The lads on the transferring firm are surprisingly recreation for Gina’s new marketing strategy, though there’s a little bit of a studying curve. None of them have any expertise with this type of factor. The preliminary purchasers are all of Gina’s pals. Tom is sweet on the intercourse half, however horrible on the cleansing half. One other man is nice at cleansing however horrible at intercourse. Each issues should be addressed, which Gina does, swiftly and professionally. She’s a natural-born entrepreneur. She holds interviews with potential purchasers in her automobile, listening to what they need, and the way they need it. Some ladies need intercourse, others do not. Some are extraordinarily particular. (I liked the aged lady who mentioned she wished to be “edged” in the direction of orgasm, after which expertise “complete annihilation.”) Some don’t know the right way to even ask for what they need.
Steve (Erik Thomson), the proprietor of the transferring firm, heads up the IT division of this new enterprise, and one of many movers, Ben (Josh Thomson), handles workplace provides. (One of many funniest scenes entails Ben having to “fill in” for one of many guys who cannot make an appointment. Ben is in a panic. But it surely should be executed. Ben steps up. Ben has hidden depths.) The script is extraordinarily witty and three traces (“May we skip dinner?” “One is rarely sufficient.” and “That was a profession spotlight”) made me snicker out loud. However Webster sneaks in these deeper moments in seemingly informal exchanges. Early on within the course of, one of many movers sidles as much as Steve to talk to him privately, saying, “I am not precisely certain that I can reliably say I understand how to please a girl.” Steve thinks about this for a second and replies, “For those who can say that, you are a greater man than most.”